The building of the Basilica began in 1390 and when the architect died twenty-five years later, the plan had evolved into a Latin cross and the church was supposed to reach almost 224 metres long and 150 metres wide. The basilica should have been the largest in the world, but things didn’t go well: the pope didn’t approve of the idea of a church larger than St. Peters. Because of this, in 1650 the papal government began building the Archiginnasio on a site immediately adjacent to the Basilica, literally blocking the realization of its ambitious design.
The Basilica was paid for by the people of Bologna for their Patron Saint and did not appreciate the Pope interferring with its building.
The facade was designed using a methos of cosmologica and esoteric "diagramming." The lower one was clad with marble in the 16th cenury; the upper one remains exposed brick and you can still see the irrgular profile which was meant to anchor final cladding.
Inlaid in the church floor is the largest sundial in the world, created in 1600. The hour is not designed with a line of shadow, but rather a ray of light forming the image of the sun.
The Basilica can hold 28,000 parishoners, and over the course of its history has hosted numerous stately ceremonies, incuding the coronation of Charles V in 530.
"Just steps from the city’s political core, the fountain was an immediate hit with the vegetable sellers, launderers, and artisans -- so much so that a punishment of 50 lashes was given to women and children caught using it for bathing, while the punishment for men was “ (a torturous and crippling procedure involving tying the arms behind the back and cranking up on them to the point of dislocation)."
It is said that Giambologna wanted to fashion Neptune with larger genitalia but naturally met with opposition from the Church. However, the sculptor would not be swayed: he designed the statue so that from a particular angle the thumb of the outstretched left hand lines up with the groin area, making it look like an erect penis. According to the prelates, the women of Bologna were so disturbed by the sight that the Church had to put bronze pants on the statue. Actually, the entire fountain has a strongly erotic quality: just take a look at the voluptuous nymphs spraying their breasts with water!
There is also a noteworthy superstition. In order to pass an important exam, students run two counter-clockwise laps around the fountain. Apparently this practice comes from Giambologna himself who - being extra careful while planning the fountain because of his earlier “failure in Florence” - continually circled the base deep in thought. And good luck certainly isn’t lacking here. The trident the god is brandishing has become one of the world’s most well known symbols: that of Maserati, the Bologna based automobile manufacturer.
- Church of Santo Stefano -
The backdrop of the Piazza Santo Stefano is the basilica that gives it its name: an interweaving of seven religious buildings that are surprisingly interconnected. According to tradition, San Petronio, the Bishop of Bologna, had the idea of creating a basilica after the Holy Sepulchre in Jerusalem.
It was built on top of a temple dedicated to Isis. The buildings that make up the complex are all very old. Because of the numerous restorations in the first decades of the 20th century, the look of the complex has changed from the original “Seven Churches” to four. Despite this, it is still one of the most romantic and interesting monuments in the city.
You enter through the Church of the Crucifix. Of Lombard origin, it dates back to the 8th century. It has a single nave with a raised presbytery reached by a stair. Here is found the 14th century crucifix that gives the church its name. In the left nave you can admire a sculpture from the 18th century that depicts the “Lamentation over the Dead Christ”.
According to legend, the work was made using playing cards that had been confiscated during the years when gambling was prohibited. The church walls are covered with frescoes telling the story of the martyr St. Stefano. Under the presbytery stair is a splendid crypt. It is divided into five naves by a series of antique columns, each one different from the other. According to legend, one of these is the exact height of Jesus.
At the back, an urn on the altar holds the remains of St. Vitale and St. Agricola. On the left of the altar, a small fresco from the 15th century shows the "Madonna of the Snows”. While it is of little artistic merit, it is nonetheless striking. On the right of the entrance is a little statue of the Madonna Child.
A side door leads to the Church of the Holy Sepulchre, the oldest building in the entire complex. 12 columns surround the shrine which held relics of San Petronio that had been recovered here in 1141. The little door of the tomb used to be opened for one week year during which time it was possible to crawl inside and pay one’s respects to the saint’s remains.
According to a curious custom, pregnant women in Bologna would circle the sepulchre thirty-three times, one for each year of Christ’s life. After each turn, they would crawl into the small sepulchre to pray. At the end of the ritual, they would go to the nearby church of Martyrium to pray in front of a fresco of the pregnant Madonna. In 2000 the body of San Petronio was moved to the basilica that bears his name, reunited with his head which was already there. From that point on, the sepulchre was never opened again.
In the church there is also a natural spring that holds very high symbolic value: it represents the River Jordan, where Christ was baptized, an idea also reflected in the seven African marble columns reused in the sepulchre. Of course, in reality the spring already existed when the original temple on the site was dedicated to Isis.
A side door leads to the church dedicated to Vitale and Agricola. The two men were a master and servant who became Bologna martyrs when they lost their lives, in 305 AD, victims of Diocletian’s persecution.
The church had originally been dedicated to St. Peter: a sepulchre had been found on the site with the inscription "Symon" and so the rumour circulated that it was the tomb of the first apostle Simon who later came to be called Peter. Although the information had no historical foundation, it naturally managed to draw many pilgrims away from Rome.
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